Extremely boring, pretentious, outdated works by “American Artist” Cady Noland @ GAGOSIAN GALLERY Park & 75, New York City, “AMERICA” キャディ・ノーランド

Cady Noland Drag 1990, Metal poles, helmet and found objects. Dimensions variable, detail — Cady Noland "Drag" 1990. Metal poles, helmet and found objects. Dimensions variable, detail

Do you hear the people sing?
Say, Cady, do you hear the distant drums?
It is the future that they bring
When tomorrow comes!
Cady, you are not joining our crusade.
You sold “Tanya as Bandit” (1989) to Wall Street “GORILLA” Richard S. Fuld, one of the 25 People on Earth who are responsible for the Financial Crisis. Let’s recapitulate “The Ghost of Wall Street”, Dick Fuld’s quote: “When I find a short-seller, I want to tear his heart out and eat it before his eyes while he is still alive.”

Richard (Dick) Fuld was the last CEO of Lehman Brothers prior to its collapse ten years ago on 15 September 2018. — Richard (Dick) Fuld was the last CEO of Lehman Brothers. The collapse of Wall Street’s Lehman Brothers, which in many ways is synonymous with the Global Financial Crisis and the consequent loss of 6 million jobs and collapse of the housing market in the US. The Euro-zone-Crisis and the Japan-Financial-Crisis, bail-outs of many key financial institutions around the world followed.

Why don’t you exhibit anymore at our beloved and engaged Paula Cooper Gallery?
Now you sold also your soul to the most capitalistic art dealer in “America”.
You’re pro-actively embracing playboy, womaniser, the Enfant Terrible of the Global Art World, Larry Gagosian.

Gagosian up–date — Anna Weyant and Larry Gagosian

アーティ・パワープレイ：画家アンナ・ウェイアント (27) とラリー・ガゴシアン (77) の「交際中」
Arty Power-Play: Painter Anna Weyant (27) “is dating” Larry Gagosian (77)
https://art-culture.world/articles/larry-gagosian-anna-weyant/

World’s No.1 Art Dealer, Larry Gagosian from New York City
https://art-culture.world/articles/larry-gagosian/

Looking at your new works, those Budweiser and Coca-Cola things, a déjà-vu experience, repetitive practice, nothing enlightening per se. Extremely boring, pretentious, a forced strenuousness, doggedness in the artist’s attitude makes itself felt.
Explanatory texts by the “Kuroko” 黒衣 artist, who obviously plays the “cool daughter” of famous, mediocre painter Kenneth Noland, the unapproachable for argumentum ad hominem, nowhere to be seen, neither in the gallery nor at its website or in the mail-newsletter.
We’re writing ’23; 〜 a kind of melancholic deviation, outworn artistic practice had been stripped bare by her followers, even.

The ‘funny’ aspect @ Larry Gagosian’s practice lies in his art dealing concept of showing multiple exhibitions at the same time in the same city.
For the media a burlesque JOKE! 🤣
In this direct confrontation, the intentional “social critique” by Cady Noland had been easily “erased” by Italian Cecilia Alemani with her overwhelming popular curatorial practice about “TETSUYA ISHIDA – My Anxious Self”; September 12 – October 21, 2023 @ GAGOSIAN Gallery, 555 West 24th Street, New York City.

TETSUYA ISHIDA – My Anxious Self @ GAGOSIAN Gallery, New York

https://gagosian.com/exhibitions/2023/tetsuya-ishida-my-anxious-self-curated-by-cecilia-alemani/

Satomi Nakai from New York: 石田徹也 “My Anxious Self” キュレーター: セシリア・アレマーニ @ ガゴシアン・ギャラリー、ニューヨーク (2023年)
Tetsuya Ishida “My Anxious Self”, Curated by Cecilia Alemani @ Gagosian Gallery, 555 West 24th Street, New York
https://art-culture.world/articles/nakai-tetsuya-ishida-gagosian/

As Cady is not known here in Japan, I may attach some more pics about her works, taken by me. Normally, she’s working in a wide variety of media, her sustained engagement with the profane has often been inspired by moments embedded in the “American” collective consciousness. Me, as a child of “multiracial” parents, living in a foreign country (Japan), the actual political situation in the U.S. influences the way how to talk, how to judge 2000 years of Asian, Arabian or African history of slavery and how to assess one’s own and other’s behaviour.
On various occasions here on ART+CULTURE, I emphasised that the term “America” should cover the whole South-, Middle- and North-America territory. However, abstractly speaking, U.S. citizens don’t care about the proper use of language.
Please cross-check:
Delicacy in Filigree, Transcendental Rhapsody with Latin American Artists @ AOYAMA MEGURO, Tokyo
https://art-culture.world/articles/delicacy-in-filigree-transcendental-rhapsody-with-latin-american-artists-aoyama-meguro-tokyo/
Curatorial Fiasco at the Kunstmuseum Basel: “Black Madonna” (Christianity) vs. “Black Tenno” (Shintoism)
https://art-culture.world/articles/curatorial-fiasco-at-the-kunstmuseum-basel-theaters-gates-black-madonna/
Arthur Jafa’s “Love is the Message, The Message is Death” https://art-culture.world/articles/arthur-jafa-love-is-the-message-the-message-is-death-アーサー・ジャファ/
To “counter” my actual “GAGOSIAN” perception, I strongly recommend Cady to contact the Museum of Contemporary Art Tokyo (MOT) for a retrospective. See their superb curatorial practice in the context of KUBOTA Shigeko’s works.
非常に優れている企画展「Viva Video! 久保田成子展」@ MOT！
https://art-culture.world/articles/kubota-shigeko-museum-of-contemporary-art-tokyo-久保田成子/
Very much looking forward to seeing you here in Tokyo, dear Cady!
Mario A 亜真里男

CADY NOLAND @ GAGOSIAN
September 12 – October 21, 2023
Park & 75, New York

About
Gagosian is pleased to announce an exhibition of new sculptures by Cady Noland at the gallery’s Park & 75 location in New York.

Contact
collecting@gagosian.com

https://gagosian.com/exhibitions/2023/cady-noland/

Cady Noland キャディ・ノーランド Untitled 2023, installation view @ Gagosian New York 2023 — Cady Noland キャディ・ノーランド “Untitled” 2023, installation view @ Gagosian New York 2023. ここに載せた写真は、すべて「好意によりクリエーティブ・コモン・センス」の文脈で、日本美術史の記録の為に発表致します。Creative Commons Attribution　Noncommercial-NoDerivative Works
photos: cccs courtesy creative common sense

Cady Noland キャディ・ノーランド Untitled 2023, detail @ Gagosian New York 2023 — Cady Noland キャディ・ノーランド “Untitled” 2023, detail @ Gagosian New York 2023. ここに載せた写真は、すべて「好意によりクリエーティブ・コモン・センス」の文脈で、日本美術史の記録の為に発表致します。Creative Commons Attribution　Noncommercial-NoDerivative Works
photos: cccs courtesy creative common sense

Cady Noland Gagosian 2023 — Cady Noland キャディ・ノーランド “Untitled” 2023, detail @ Gagosian New York 2023. ここに載せた写真は、すべて「好意によりクリエーティブ・コモン・センス」の文脈で、日本美術史の記録の為に発表致します。Creative Commons Attribution　Noncommercial-NoDerivative Works
photos: cccs courtesy creative common sense

Cady Noland キャディ・ノーランド Untitled 1986, detail @ Gagosian New York 2023 — Cady Noland キャディ・ノーランド “Untitled” 1986, detail @ Gagosian New York 2023. ここに載せた写真は、すべて「好意によりクリエーティブ・コモン・センス」の文脈で、日本美術史の記録の為に発表致します。Creative Commons Attribution　Noncommercial-NoDerivative Works
photos: cccs courtesy creative common sense

Cady Noland キャディ・ノーランド Untitled (Manson cut-out) 1990 — Cady Noland キャディ・ノーランド “Untitled (Manson cut-out)” 1990, Collage, 30.48 x 20.32 cm

Cady Noland キャディ・ノーランド Untitled (Oswald cut-out) 1990 — Cady Noland キャディ・ノーランド “Untitled (Oswald cut-out)” 1990, Collage, 34.93 x 19.05 cm

Cady Noland キャディ・ノーランド Untitled (Nixon cut-out) 1992, Ed. 25 — Cady Noland キャディ・ノーランド “Untitled (Nixon cut-out)” 1992, Collaged photographic negatives, 35.56 x 25.4 cm, Ed. 25

Cady Noland キャディ・ノーランド “Drag” 1990, Metal poles, helmet and found objects. Dimensions variable

Cady Noland キャディ・ノーランド Drag 1990, Metal poles, helmet and found objects. Dimensions variable, detail — Cady Noland キャディ・ノーランド “Drag” 1990, Metal poles, helmet and found objects. Dimensions variable, detail

Cady Noland キャディ・ノーランド Cowboy Bullethead Moviestar 1990 — Cady Noland キャディ・ノーランド “Cowboy Bullethead Moviestar” 1990. Cut-out aluminium plate, 168.59 x 59 x 1.27 cm

Cady Noland キャディ・ノーランド Five-Lane-Maniac 1988 — Cady Noland キャディ・ノーランド “Five-Lane-Maniac” 1988. Basket with beer cans, car parts/products, hardware, 27.94 x 33.02 x 40.01 cm

Cady Noland キャディ・ノーランド Untitled 1997-1998. Aluminium pipe, Whitewall tire, 122 x 76 cm. Ed.80 — Cady Noland キャディ・ノーランド “Untitled” 1997-1998. Aluminium pipe, Whitewall tire, 122 x 76 cm, Ed. 80

Cady Noland キャディ・ノーランド Untitled (flag) 1992, Silkscreened red ink on aluminium, 140 x 66 x 13 cm — Cady Noland キャディ・ノーランド “Untitled (flag)” 1992, Silkscreened red ink on aluminium, 140 x 66 x 13 cm

Wall Cady Noland キャディ・ノーランド Untitled 1994-1995, Silkscreened red ink on alucobond aluminium, 152.4 x 304.8 x 0.32 cm — Wall: Cady Noland キャディ・ノーランド “Untitled” 1994-1995, Silkscreened red ink on alucobond aluminium, 152.4 x 304.8 x 0.32 cm

Cady Noland at Paula Cooper with Special Guest Holland Cotter

Today’s bonus:

Cady Noland “Tanya as Bandit” 1989. Gift of Kathy and Richard S. Fuld, Jr. to MoMA. Fuld was named in Time’s 25 People to Blame for the Financial Crisis — Cady Noland “Tanya as Bandit”, detail, 1989. Gift of Kathy and Richard S. Fuld, Jr. to MoMA. Fuld was named in Time’s “25 People to Blame for the Financial Crisis” list and in CNN’s “Ten Most Wanted Culprits of the Collapse”. Fuld was nicknamed “THE GORILLA” for his intimidating presence.
“When I find a short-seller, I want to tear his heart out and eat it before his eyes while he is still alive.”

The Return of Lehman Brothers’ Dick Fuld

In case of censorship:

Bloomberg News THE RETURN OF RICHARD FULD — Bloomberg News: THE RETURN OF RICHARD FULD

Link_https://www.youtube.com/watch?v=wyc4iDQPg0g

Cady Noland MoMA Tanya as Bandit, Dick Fuld — Cady Noland @ MoMA “Tanya as Bandit”, Dick Fuld; MoMA screenshot

Cady Noland
Tanya as Bandit
1989

Medium
Silkscreen ink on aluminum, and bandana

Dimensions
72 x 48 x 3/8″ (182.9 x 121.9 x 1 cm)

Credit
Gift of Kathy and Richard S. Fuld, Jr.

Object number
1155.2007

Department
Painting and Sculpture

https://www.moma.org/collection/works/112524

ここに載せた写真は、すべて「好意によりクリエーティブ・コモン・センス」の文脈で、日本美術史の記録の為に発表致します。
Creative Commons Attribution　Noncommercial-NoDerivative Works
photos: cccs courtesy creative common sense